Sunday

19-10-2025 Vol 19

Day: October 17, 2025

William Fichtner Transforms AMC’s “Talamasca” Into Something Worthwhile 

AMC has slowly become a dominating force in genre television. From “Dark Winds” to “Interview with the Vampire,” they’ve crafted…

I Wanted Them to Be Weird: Director John McPhail on Mixing Genres and Encouraging Actors in “Grow”

“Grow,” which opens on October 17, is a charming story about a girl named Charlie (newcomer Priya-Rose Brookwell) with a…

In the Third Season of “The Diplomat,” It’s All Upsides and Distances, Darling

Season 3 of “The Diplomat,” Debora Cahn’s feast of political intrigue and personal drama, has landed on Netflix. If you…

November on The Criterion Channel Brings Howard Hawks, Trent Reznor, Blackout Noir & More

November, Noirvember, tomato, tomahto. The Criterion Channel continue their quest to find every known subgenre with “Blackout Noir,” which places…

The Mastermind Review: Kelly Reichardt Crafts a Low-Key, Bressonian Heist Drama

Note: This review was originally published as part of our 2025 Venice coverage. The Mastermind opens in theaters on October…

Frankenstein Review: Guillermo del Toro Crafts an Intricate World and Rhythmically Off-Kilter Adaptation

Note: This review was originally published as part of our 2025 Venice coverage. Frankenstein opens in theaters on October 17…

Blue Moon Review: A Melancholy Song for Ethan Hawke and Richard Linklater

Note: This review was originally published as part of our 2025 Berlinale coverage. Blue Moon opens in theaters on October…

Good Fortune Review: Aziz Ansari’s Directorial Debut is a Sweet, Timely Comedy

Note: This review was originally published as part of our 2025 TIFF coverage. Good Fortune opens in theaters on October…

The Man Who Saves the World? Review: A Documentary That Asks: “Can You Believe This?”

The most interesting thing about Gabe Polsky’s new documentary The Man Who Saves the World? is that it is unsure…