Wednesday

14-01-2026 Vol 19

Day: December 5, 2025

RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”

“Trees Lounge,” a movie that Roger Ebert called “the most accurate portrait of the daily saloon drinker I have ever…

Welcome to the Family Captures Chaos & Coolness of One of Hollywood’s Most Memorable Franchises

An author needs to meet a subject on its own terms to find the right tone for the story being…

Netflix’s “The Abandons” Leaves Its Capable Stars Behind in a Weak, Weary Western

In a vacuum, the logline for Netflix’s latest series “The Abandons” is gangbusters: An old-school oater set in the 1850s,…

The Chronology of Water Review: Kristen Stewart’s Elemental Calling Card for Directorial Greatness

Note: This review was originally published as part of our 2025 Cannes coverage. The Chronology of Water begins a one-week…

La Grazia Review: Paolo Sorrentino Struggles to Match Toni Servillo’s Talents

Note: This review was originally published as part of our 2025 Venice coverage. La Grazia opens in theaters on December…

WTO/99 Review: A Stark Reminder of Our American Police State

One of the more fascinating elements of the documentary WTO/99, directed by Ian Bell, is that while it visually suggests…

Suburban Fury Review: The Unlikely Woman Who Tried to Kill the President

Note: This review was originally published as part of our 2024 NYFF coverage. Suburban Fury begins a one-week qualifying run…

A Private Life Review: A Fleet, Sharp Showcase for Jodie Foster

Note: This review was originally published as part of our 2025 Cannes coverage. A Private Life begins a one-week qualifying…

100 Nights of Hero Review: A Lazy, Condescending Riff on a Classic Tale

Arabian Nights, an expansive collection of Islamic folktales, is as influential to contemporary literature and pop culture as the works…