Monday

20-10-2025 Vol 19

Category: Reviews

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Maya, Give Me a Title Review: Michel Gondry Rejuvenates His Creative Spirit with Earnest Animation

Of all the directors who made the jump from music videos to feature-directing during MTV’s ’90s peak, Michel Gondry is…

Slamdance Review: Stolen Kingdom is a Light but Entertaining Look at Disney Obsessives

Depending on who you ask, the cultural domination of the Walt Disney Company can be a wonderful thing or an…

Berlinale Review: Two Times João Liberada Explores the Limits of Representation

Amongst the debut features populating Berlinale’s new section called Perspectives, none presented so admirably fresh take on fiction and political…

Berlinale Review: What Does That Nature Say to You is Hong Sangsoo’s Meet the Parents

The last time Hong Sangsoo failed to feature in a Berlinale program, Childish Gambino’s “This is America” was in the…

Berlinale Review: Eel is a Slippery, Strange Drama of Great Beauty

The most significant change introduced by new Berlinale director Tricia Tuttle is the cancellation of the Encounters sidebar which hosted…

Berlinale Review: Denis Côté’s Paul is a Strikingly Moving Portrait of a Cleaning Simp

Consider the logline: a 34-year-old, pre-diabetic, 250-pound, extremely anxious loner finds respite as a cleaning simp for dominatrices eager to…

Berlinale Review: Gabriel Mascaro’s The Blue Trail Takes a Lively Journey Down the Amazon River

The Blue Trail, the lively new film from Gabriel Mascaro, takes its name from the secretions of a mythical snail.…