Monday

20-10-2025 Vol 19

Day: March 6, 2025

Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”

Set in a future world where no one ages, there are no animals and precious few plants, Fleur Fortuné’s dystopian…

Looking Back: Highlighting Some Great Pieces by Our Female Critics

During Women Writers Week, we publish reviews and articles by female critics and journalists, but we’re committed to gender equality…

The Antidote for Fear: Natalie Morales on “My Dead Friend Zoe”

For Natalie Morales, telling diverse stories as an actor/writer/director isn’t just a personal calling—it’s a responsibility. “I think you introduce…

A Look at the Rich Tapestry of Films Coming from South Africa

The South African film industry is complete with pristine production, creativity, and thoughtfulness. To my surprise, my American friends are…

New Directors/New Films Unveils 2025 Lineup

After showcasing work from the likes of Ryûsuke Hamaguchi, Hou Hsiao-hsien, Kelly Reichardt, Pedro Almodóvar, Souleymane Cissé, Jia Zhangke, Spike…

In the Lost Lands Review: Paul W.S. Anderson Finds Poetry In the Fantasy Epic

“The world is a vampire” –– Billy Corgan, 1995 Before jumping directly into the action, Paul W.S. Anderson’s In the…

The Rule of Jenny Pen Review: John Lithgow Torments Geoffrey Rush in Depraved Psychological Horror

Three decades on from Brian De Palma’s gleefully unhinged psychological thriller Raising Cain, John Lithgow has once again found a…