Monday

20-10-2025 Vol 19

Month: March 2025

Grand Tour Review: An Enchanting Return for Miguel Gomes

Note: This review was originally published as part of our 2024 Cannes coverage. Grand Tour opens in theaters on March…

Death of a Unicorn Review: A Mythical, Predictable Genre Mash-Up

Note: This review was originally published as part of our 2025 SXSW coverage. Death of a Unicorn opens in theaters…

The Ebert Fellows on True/False 2025

This year’s Ebert Fellows attended the True/False Film Festival, one of the most essential non-fiction cinema events of the year.…

How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future

Rarely does it matter that Ken Burns’ “Baseball,” an immersive ten-part docuseries about the history of America’s pastime, is built…

The Ballad of Wallis Island Reviw: Comedy Strums a Charming Story of Moving On

You know when you hear a song and it transports you back to an era or a memory or a…

How the One-Take Approach of “Adolescence” Traps Us in Tragedy

It’s so easy to get cynical about the vaunted “oner.” A staple of 21st-century film and television these days, the…

Harmony Korine Details New Animated Features The Trap and Twinkle Twinkle

Just ten years ago Harmony Korine told Marc Maron that filmmaking is so exhausting it can only demand extended breaks.…

Andrey Zvyagintsev Sets Next Feature with Minotaur

With it being eight years since his last feature Loveless, we’ve long been awaiting the return of Russian director Andrei…

Secret Mall Apartment Review: Artists Make a Home in the Belly of the Gentrification Beast

Note: This review was originally published as part of our 2024 SXSW coverage. Secret Mall Apartment is now in theaters.…

David Lynch Spoke to Naomi Watts and Laura Dern About New Project Last Fall: “He Was Not, In Any Way, Done”

It’s now been just over two months since we lost one of the great artists of our time. In the…